Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Saturday, 23 August 2008

Breakfast at Sulimeys

I absolutely love this. Afer a few thousand hours of watching MTV in the 90's I'm pretty much burned out with chicks shaking their booty to tell me that something is hot, cool or sexy. Also I find putting myself out to listen to new music is tough in a Youtube format even if it's excellent content from people I trust to click through
I want to listen to new stuff with people, to get their opinion, feel some context and that's difficult if nobody is around or has time to spare. These three elderly music reviewers are just great. Joe on the right is open minded and thoughtful for an old codger. Ann seems a bit uncouth and lacks real depth but she is sparky and everybody's opinion counts. Bill is a bit in between and I guess balances things out a bit.
What's great for me is that they take an easy to click away format through to proper engagement. Of course that's because it's me we're talking about and maybe a lot of young people will find it a tortuous way to listen to music. I'm just glad that the elderly get a crack at the whip in a way that isn't charitably forced. It just works for me. What do you think?

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Via Jamie at Freshen me up

Wednesday, 13 August 2008

Film & Music Matter

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Age picks up on a piece of film that is ace.

Friday, 1 August 2008

Dengue Fever


I read about these guys a while back and loved the description of Pschedelic Khmer surf rock. Cambodia is quite special to me as most of my close Thai friends are Khmer in ethnic origin living close to the border and speak Khmer around me. It's also quite timely  after the border dispute over what is obviously a Khmer temple (the architecture speaks for itself) with Thailand bullying Cambodia and flexing its nationalistic muscles (when involving weaker neighbours) over the disputed territory.

Anyway I  was just awoken from a jet lag catch up sleep to the track 'Seeing Hands' and was catapulted back into some amazing nights in Phnom Penh and road trips to Angor Wat in Siem Reap. Khmer Culture is still such a mystery in many ways but here's a bit of recombinant music culture from Dengue Fever on Myspace that stretches from the surfing coast of Los Angeles to the Heart of Darkness. Click on the track called Singing Hands.

It's so good to hear that this music is also connecting in Cambodia with a generation that haven't heard this genre since the late sixites as both the music and the people  were all obliterated in the genocide and insanity of Pol Pot's ultra communist agrarian revolution with the Khmer Rouge. I feel I need to stop off in Phnom Penh sooner than I realised on long delayed trip I need to make to Vietnam. It's on the way I guess. Read about Dengue Fever over here if the music grabs you.
Tenuous link picture of me struggling with a surf board last week ;)

Wednesday, 25 June 2008

Rotterdam Philharmonic Orchestra

We're very lucky to have this building barely two minutes away from my house here in Beijing . I've been making the most of it and dropping-by on my electric bike and buying random tickets for the Ballet, Pianists and Orchestras. It's called 'The Egg' locally for reasons I can't figure out.



Last Monday a colleague and I went to see the Rotterdam Philharmonic Orchestra and they were seamless. A real transportation away from the outside world, conducted by the hugely talented Yannick Nézet-Séguin from Montreal. A classical superstar in the making , along with a sublime performance by the pianist from Shanghai called Yundi Li who was definitely on another level when he played a Prokofiev piece, Piano Concerto No. 2 in g minor, OP. 16 which is hideously dark, complex and confrontational. I loved it.

They get very annoyed about filming anything in the Egg (actually China loathes anything being photographed if they think copyright is being infringed - which is ironic) and even shine a laser spot on people during a performance if anyone is caught doing so.

Anyway, you know I like to shine, so I sneaked some of the two and half minute ovation they gave to the conductor with some never before seen panoramas (I should work in advertising shouldn't I?) of the auditorium. It's world class and h
ere it is.


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Just in case you've got loads of time on your hands there's an expression I picked up in Thailand from a P.R. professional, that also applies here in China. Do it first and ask for forgiveness afterwards. This is how we roll as Sam might say.


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Friday, 2 May 2008

JUSTICE - STRESS

Age just brought this latest by 'Justice' to my attention.

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Monday, 7 April 2008

Beijing Another View


I've never done a post like this but an email I received sparked such a good response that I asked if I could share it because I think it adds some really good flavour to the question what is Beijing like, through the lens of its vibrant music scene. Here is the response from Chris Emmerson which should really be seen in the context of two links that were sent prompting a private email exchange between three people, and which he has kindly agreed to allow me to share here. The links that sparked the conversation are:

And here is Chris' response:

Finally got to these after a weekend off the intensive Mandarin. The science one was interesting: I did a study on perceptions of scientists back in the UK for a course I was doing, and the bitterness amongst that community is startling, particularly amongst biologists and biochemists. Scientists feel they have no status in the UK, and to do the 'good work' they all dreamt of as idealistic undergraduates they have to spent 15-20 years working in study groups they don't believe in, so that by the time they've reached the point at which they have the chance to set their own agenda they're politically conditioned to mark out and defend their own specialist territory, regardless of the value of research. A number of them suggested that since there was so much politics in funding, it was as well to have politicians actively running the show, since at least they might be expected to see the bigger picture and do politics well.

A lot of scientists end up in the private sector spending their lives tweaking established treatments so they can be re-patented: a fabulous waste of talent that was the elephant in the room as far as the article was concerned. So yes, China may have lucked onto a model that makes the most of a particular moment in its political and social history. I'd start on cancer if I were them, since living in this city is the equivalent of smoking approximately eighteen blue Drum roll-ups per day. I know because I smoked about eighteen blue Drum roll-ups per day until the day I left the UK, and my respiratory system has benefitted not one iota in two months.

As for the music: well....yes. If you're going to judge it in entirely musical terms....yes. And if you're a music critic, that's what you'll do so....yes. But personally, I'm finding the music scene here enormous fun. Possibly it's just that being in a foreign city gives you license to behave like a teenager sometimes but it's been a long time since I enjoyed going to gigs as much as here. The combination of aching cool and accessibility is striking. The bands all look like the cover shoot for your choice of cutting edge fashion mag the month after next, but you can wander up and chat to the lead singer after the set, even if you don't share a common language (you can also, in no particular order, learn a Taiwanese drinking game, teach a barman how to make popcorn in a microwave, discuss ska with a guitarist who thinks you're cool because hardly anyone he knows has even heard of Elvis Costello and get impressively drunk for under a fiver; although apparently if you're a Guardian music critic, you're above all of these things). There's also a bond with the audience that doesn't devolve into cloying sentimentality and I-saw-them-first one-up-manship which seemed to be an increasing feature of the London 'scene' the last time I was a hip young thing (which was, admittedly, never). And god knows, if most of them haven't got an original idea in their pretty little heads, at least they know how to put them together in a way that's entertaining.

In fact, I have wondered if it is the barriers to 'getting big' that keep things fun. Everybody's asprirations are on a similar scale; no-one's going to become U2 overnight. Having watched many documentaries about CBGBs, and then finally seeing the horror it had become in its final incarnation two years ago, D22 and its peers are the closest I've come to feeling how I imagine that scene was.

Right then. Now I've sorted out the future of science, politics and music I'll go back to my homework......

Go check out this post on the Guardian for more on the Beijing music scene and Ed's intelligent blogging on the subject.

Sunday, 23 March 2008

This is BRILLIANT

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With thanks from Gustavo who is shaping up as a very hip and talented creative planner. (Picture taken last night at LAN club where the Ministry of Sound were playing)




Monday, 3 September 2007

Six Feet Under

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Opening sequences or idents for TV programs are a splendid way to understand how to build emotion and feeling into short film clips as indeed we often try in the world of commercials. They are a great example of 'its not what you say but how you say it'.

Idents.tv is a nifty resource if you want to get up to speed on typography, design, music, direction, DOP, special effects and the use of storyboards. Its fascinating to see how the show Six Feet Under created theirs over here.

Tuesday, 7 August 2007

Long Play


Late in the afternoon last week for no apparent reason the phone started ringing off the hook with work things. So I dragged my sorry rear into the West End mainly to get off my well honed reclining-position as earlier I'd been sucked into responding to Robs post to cover my partially exposed butt on brand values. Frankly I was close to bailing out Stateside for an overdue meetup, but a combination of a delayed reply that I've been waiting on, filed in 'the dog ate my emails' folder, and a sudden offer to get stuck into some charity rebranding tipped me over to taking on a gig on that meant a 4am start the next day up in Glasgow doing groups. These included in the afternoon, some young men who don't necessarily think too much about being electronically tagged while keeping a curfew - yeah Punk Planning my friends.

So far its been an exhausting but eyeopening experience and since the kickoff I've also covered Cardiff, a small mining village in the county borough of Caerphilly as well as Sutton Coldfield near Birmingham and Gloucester today. I should wrap up in a few days time but until then I've started to ask myself if the idea of an open source C.I development methodology might be an effective way to meet the objectives of keeping a very disparate bunch of people that range from local government, charity workers and young folk in need of a helping hand onboard and 'buying into' a process which one guy memorably articulated as 'reeking of insincerity' when referring to the the way 'brand' talks.

Here's the deal; most of the people that I've spoken to are really sceptical of anything that relates to marketing and the reason for that is they actually do stuff rather than waffle on about it like a lot of us ad tossers do. Its also increasingly evident that as with any change management a shiny new badge can be a reasonably useful point to coalesce around for a new direction. The reality is that unlike that rare and mythical beast called a proper brand (people getting mugged for Levis in 80's Moscow and ditto for iPods in the 3rd millennium) they probably will never be more famous than say top of mind prompted-recall within a specific charity segment, even if as I have discovered time and again since last Thursday they are off-the-richter-scale for complexity in stakeholders and financial solutions. Not to mention diversity of projects and doing a lot of hands on work.

I'm probing some architecture, platform and proposition dimensions that are not far removed from interrogation of (deep breath) third party projection of the meaning-of-meaning for say deprived young'uns with low attention spans - you get my drift? OK I'm exaggerating a tad, but that whole brand personality malarkey isn't moving mountains for me if people have to think about it. I mean personality is surely something people can spontaneously remark on and unwittingly have, acquire and possibly nurture. Surely its not something that can be scored from the nearest council estate corner gathering, and falls neatly between say a "chav" brand and one that "tells you what to do" as one group earlier today outlined when discussing those "Just do it" people. I guess I'm taking shots at some of the FMCG navel-gazing research gigs I've had to oversea in my time. But there is some overlap with whats going on here.

So in the interests of suggesting a kick-ass methodology for a participatory media process that embraces uncertainty and welcomes the digitalocracy of the web I thought I'd run the idea past you folk in case anyone else has thought about the idea of opening up the development of identity architecture real-time on the web. The immediate pluses for this method are that everyone gets a say and feels that they have been part of the consultation process, one or two egos/agendas don't hijack the process as invariably happens when settling on a least contentious communication platforms. Any thoughts? Is this taking 2.0 a bit far? Could it all go peaches up or as I really suspect, the P.R from the process could be worth considerably more than a years communication budget, given that nobody has ever done it before and that somebody will surely be extremely upset about the loss of control - which is a good thing in my book.

Other than that there are a quite a few other things kicking off and I'll leave you with the best post for ages. If any of you wannabes want to know what planning is about then check out this slice of action that absorbs people of our stargazing ilk who can't ever help stop thinking - albeit in my case pretty uselessly. It also gives me a chance to use that picture of ChinaD0II that has been lurking on my desktop before I dig out some of the great podcasts I'm still gagging to tip y'all off about.

Thursday, 31 May 2007

Listen Discover Share

ScottMacleodLiddle

Hot off the press! CBS have purchased Last.fm. The makers of CSI and David Letterman have shelled out 280 million dollars for the London based music social networking site. I'm a big fan of Last.fm right back from when they were audioscrobbler which was a software addition that listened to what music I played on my computer and then made recommendations. Its become a lot more sophisticated since those days and the website has a bunch of features that are addictive.

My musical holy grail is to construct a radio station that plays random music that jumps from Classical to Intelligent Dance Music (IDM) a bit of Drum and Bass and some Jazz thrown in. I'm constantly feeding Last.fm music to get the balance right which keeps me occupied but there's some other stuff that I really like about this software and website that I want to share.

The killer app is thaty just listening to Last.fm allows me to listen to music that I like. The tastes I have described above are not an easy brief to meet and only Last.fm comes close to giving me that. I think its cool that I can give it a macro taste brief jumping from genre to genre or if I'm in the mood I can listen to early electronic pioneers or some other micro tagging channel. If I have to really concentrate and work hard only intelligent drum & bass works for me but there are a number of moods that Last.fm meets splendidly. The more I know it, the more demanding I get. Its nowhere near listening to a terrestrial frequency radio station where laissez faire listening slips in.

I have friends on Last.fm and I love to be able to find out a little more about them or discover new music if I'm in the mood. I also meet people who come and check me out, are connected to me or I discover completely new folk. Music is a really good indicator and while I can get on with all sorts, the 'taste-o-meter really lets me know if I connect on a deeper bobbing heads level. I have three DJ friends who keep me topped up on the freshest stuff possible. Each of them is a little different and its amazing how their personal radio stations have their own flavour despite us all having highly similar tastes. I have to point towards my chum DJ Stewart from Bangkok who plays electrofrequencies on Monday night at Bed Supperclub along with Saint Vincent. Both are the nicest of people and totally dedicated to their craft. It's not like they are on the other side of the world while I'm in London listening on Last.fm and sometimes I can tell if Stewart's going in a different musical direction like the retro action that seems to be going on recently. The other star is Audiossey from Germany who has a distinctive style that is beginning to approach my top 3 or 4 music DJ's and producers in the world. I met him through Last.fm. There's a few others too that I love including Sushigroove, Russell Davies, Zero Influencer and my latest classical music discovery Chalcemon.

Theres a bunch more too and I listen to them all when I feel that I need to get out of a rut and check out what other friends are into. I also think the recommendation radio station is great although I''m not sure if its based on what Last.fm recommends or if it factors in friends individual recommendations sent to me, which is another feature that I get lots of suggestions from. Either way theres also the 'loved' track function and the 'ban' track button too plus skip if a track seems to be going nowhere.

On top of all that there's a full array of social networking tools like music blogging, shoutouts, tagging, neighbourhood radio, loved tracks radio, history radio and more and this all applies also to other members of Last.fm on the network. I can even listen to friends specialist radio stations that they create. Then there's the widgets, the free downloads, the charts and music events based on my location. I could go on because the site in itself could probably keep me occupied a few hours a day just exploring, but I also like to keep an eye on a few of its competitors to see what's new but the thing I really like most about Last.fm is that it raises a philosphical question which is at the heart of marketing. It makes me ask myself when I know that I don't want to listen to stuff I know, and thus forces me to choose between if I want to listen to what I know I don't know, or if I prefer to listen to stuff I don't know I don't know. If this sounds familiar its another way of expressing Donald Rumsfeld's known unknowns and unknown unknowns which despite its obtuse Yogi Berra nature is in actual fact a stunning example of the business we're in. CBS have gotten this site for peanuts. Its easily worth more than myspace or Youtube in my opinion and I hope it stays that way. Thanks audioscrobbler/Last.fm for a few years of terrific music discovery and like all good radio for being a friend. And here's my latest playlist which is another function I've only just begun to play with.








And here's a hot presentation they did with more stats and facts.